Radio Feature

“The Pequod, or, The Lifeboat”

Silver Award for Best Student Documentary at the 2023 New York Festivals Radio Awards

Playwright Michael Gorman has been writing and rewriting a series of plays about the opioid epidemic for over two decades. Producer Emily Reeves tells the story of his epic artistic quest that spans from theaters to job sites to a recovery center in Augusta, Maine.

I reported, produced, hosted, edited, and mixed/mastered this piece.

Credits: Original music by Alex Mejia. Archival footage courtesy of The La MaMa Archives/Ellen Stewart Private Collection, and The Forty Hour Club. “Welcome to La MaMa” from La MaMa Cantata courtesy of the Elizabeth Swados Estate.
 🔗 SoundCloud

Audio Drama

“Aisha”

Tribeca Festival’s Independent Audio Fiction Award, 2023

Aisha is running from The Woman In The Blue Hijab. What will happen if they reach the water's edge?

I was an Associate Producer on this piece and provided writing and editorial support.
Credits: Creator/Director: Cory Choy; Sound Design: Feyisayo Aluko, Cory Choy; Host: Feyisayo Aluko; Associate Producers: Mark Blumberg, Emily Reeves, Harry Bainbridge.

︎ Apple Podcasts
︎ Spotify

Podcast Series

Vital Voices

I produced and edited a special 12-part podcast series for Vital Voices, the non-profit organization co-founded by Hillary Clinton, Madeleine Albright, and Melanne Verveer. They work with women leaders in areas of economic empowerment, women's political participation, and human rights.

For this series, I adapted audio recordings from their Global Voices Festival into a podcast format.


︎ Apple Podcasts
︎ Spotify

Podcast Episode

Queens Memory: Our Major Minor Voices

I produced and hosted this episode for the Queens Memory Podcast: Our Major Minor Voices, The Queens Museum's award-winning oral history podcast.

This ten-episode season, "Our Major Minor Voices," shares stories from Queens' diverse Asian American communities. Each episode of this season featured a different community of Asian descent and was produced in both English and the native language of that community.

In this bonus episode, I interviewed Elias Ravin, the podcast's composer. We discussed the unique challenges of composing for podcasts, learned about his process as he respectfully incorporated elements of each culture’s music into the score, and asked the most important question of all: why are podcasts so obsessed with marimbas?

Our conversation is interwoven with Elias’s compositions so we can hear what he’s describing moment-to-moment. I assembled and edited the episode specifically so both people with music theory knowledge and those without could enjoy it.

︎ Apple Podcasts
︎ Spotify

Audio Story

“The Woodsmen”

The Colby College Woodsmen keep the skills and traditions of lumberjacking alive.

I reported, produced, hosted, edited, and mixed/mastered this piece.


🔗 SoundCloud

Audio Story

“Does Anybody Like Their Job?

In this two-minute Vox Pop, producer Emily Reeves takes to the streets of Portland, Maine to explore our relationship with work.

I reported, produced, hosted, edited, and mixed/mastered this piece.

Music: Our Only Lark by Blue Dot Sessions and "Overworked, Underpaid" by Zap Pow


🔗 SoundCloud

Audio Story

“Footprints”

In "Footprints," join Tour Guide Dugan on a walk through history and his mind.

I reported, produced, edited, and mixed/mastered this piece.

Music: “In Paler Skies" by Blue Dot Sessions


🔗 SoundCloud

Podcast Series

Across the Pod

I produced, cohosted, and edited Across the Pod, a transatlantic pop culture podcast that ran twice a week during seasons.

I managed all pre- and post-production for the podcast, including creating the show art, theme song (featured on the left), segment stings, and promotional materials. I managed the show’s production schedule, engineered remote recording sessions, edited the episodes, and maintained the show’s RSS and social media.

In two seasons, we organically grew the audience to ~1k listens per episode and created connections with so many amazing listeners!

We ended the podcast in 2023 in order to make room for our other professional goals.

︎ Apple Podcasts
︎ Spotify
︎ Instagram
︎ Website

︎ The Ringer Article that features the podcast